Painting Native America: Indigenous Artists in the Twentieth Century Métis or one of hundreds of

or one of hundreds of other tribally specific identities

Many cultural leaders—including former Navajo president Russell Begaye—have begun to recognize heavy metal's ability to inspire Navajo communities facing chronic challenges such as poverty

Peacock and Wisuri are additionally the authors of Ojibwe Waasa Inaabidaa: We Look in All Directions and The Good Path

acceptance and Hawaiian culture based on the true story of a young girl in Hawaiʻi who dreams of leading the boys-only hula troupe at her school

Moreton-Robinson reveals how the core values of Australian national identity continue to have their roots in Britishness and colonization

Painting Native America: Indigenous Artists in the Twentieth Century Métis or one of hundreds ofGenerations of Indigenous artists have sought to make a place for Native art in North American culture and society as well as the broader art world. Written at the intersection of history and art history, Painting Native America tells the social history of Indigenous artists and their experiences as they negotiate such questions as how to use art for social and political goals, what constitutes "Indian art," and how to make a living as an artist,